This question asks whether handmade crafts are still worth anything now that cheap, mass-produced goods are everywhere, and what kind of value, if any, the handmade keeps.
Question type: Do X still have value
An ETG General Paper original study guide to the 2018 A-Level GP Paper 1 essay on arts & humanities. Not affiliated with, or endorsed by, UCLES, Cambridge Assessment or SEAB. A study aid, not an official answer.
The question assumes handicrafts and machine goods compete on the same scale, when their value is largely different in kind, so abundance of one does not erode the other.
domain: handicrafts lose value where it is purely functional and price-driven, but retain or gain value where it is cultural, aesthetic and human, so the answer depends which value is meant.
How to approach it. Judge whether handicrafts retain value against cheap machine goods, defining 'value' and resisting the false choice between hand and machine.
Where the value of an object is functional, handicrafts have largely lost the contest, because a machine makes the same function cheaper and faster; but where the value is cultural, aesthetic or human, handicrafts retain and even gain value precisely because machine goods are so abundant, so the answer splits by what kind of value is at stake.
The vast majority of objects in any modern home are mass-produced, chosen for price and convenience, and most consumers neither notice nor miss the handmade, so in sheer scale the machine has won the daily contest decisively. This is true and should not be waved away. But value is not only what most people buy most often, and the persistence of a premium for the handmade, the preservation of crafts as heritage, and the human meaning of made objects show that a different kind of value survives untouched by abundance, so 'lost its value' confuses market share with worth.
Handicrafts have lost the functional contest to the machine, and for everyday objects the question is settled; but where value is cultural, aesthetic or human, abundance has not destroyed handicrafts, it has sharpened their worth, so they still have value, just a different value from the one the machine so readily supplies.
The question sets up a false contest: handicrafts and machine goods do not compete for the same value, so the abundance of one cannot erode the other, and the real story is not handicrafts losing value but the two settling into different roles, with the machine taking function and the handmade taking meaning, each more valuable for the existence of the other.
Cheap machine goods undercut handmade prices so severely that many craftspeople cannot earn a living, so even if the values differ in principle, in practice the market for the handmade shrinks under the weight of the cheap alternative, which is a real competitive pressure. This concedes that the two do compete economically at the margin. But economic pressure on the maker is different from the handmade losing its value, since the value can persist and even rise while the livelihood becomes harder, so the fix is supporting craftspeople, not pretending the machine has settled the question of worth.
Handicrafts and machine goods were never rivals on a single scale, so the abundance of cheap machine goods has not destroyed handmade value, it has defined and elevated it, with the two now dividing function from meaning and often merging, so handicrafts retain real value, and the genuine threat to them is the loss of transmission, not the machine.
Option A accepts the contest and splits value by kind, functional value lost, human value retained. Option B rejects the contest, arguing hand and machine never competed on one scale and the machine actually created the value of the handmade. Both are defensible: A is the calibrated split a marker expects; B is the premise-rejecting move that scores higher if the false-dichotomy thesis is sustained.

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